PreSonus Eris E66 Studio Monitor - Pair

Overview

Ultra-wide, detailed stereo soundstage.

The Eris® E66 studio monitor delivers an expanded, highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM, also known as “D’Appolito”) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Consistent listening.

Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM/D’Appolito configuration, component interference and the sonic inconsistencies that go with it are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.

Transparent and cohesive sound.

The Eris E66 studio monitor utilizes a pair of 6.5-inch, woven composite, low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual woofers also helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. In conjunction with the MTM/D’Appolito configuration, this helps create a transparent, cohesive sound.

Horizontal or vertical—it’s up to you.

Many MTM speaker configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, Eris E66 studio monitors are able to perform optimally in both orientations, letting you position your speaker the way that works best for you.

You’re in control.

Today’s music producers deal with a wide variety of musical genres and often work in more than one location. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.

Accuracy defined.

Like all PreSonus® studio monitors, the Eris E66 offers consistent, accurate listening and extensive user controls. The ultra-wide stereo image afforded by its MTM/D’Appolito design makes it an ideal solution for anyone who requires best-in-class spatial resolution. Hear it at your favorite PreSonus dealer.

Ala Kazam!

Did you know? PreSonus studio monitors and media reference monitors include a special edition of Studio Magic, a suite of over $1000 USD worth of music software including Studio One Prime and more plug-ins, loops, virtual instruments, effects, and tutorials than you may ever need. The Magic edition of Studio One Prime is compatible with all of the included plug-ins, of course, and because they're included in VST, AU, and AAX formats, you can also use them in any DAW you’d like.

It doesn't matter if you’re working on your first podcast episode or your tenth Grammy—you'll find yourself conjuring from the book of Studio Magic sooner than later. Have fun!

Features

Components and construction

• Dual 6.5-inch, woven composite LF/midrange drivers produce dynamic, size-defying bass output
• 1.25-inch, silk-dome HF driver ensures smooth high-frequency performance that is never fatiguing to the ears
• Balanced XLR, balanced ¼-inch TRS, and unbalanced RCA inputs provide flexibility for seamless integration into any environment

User controls

• Acoustic tuning controls help to compensate for room anomalies, providing a consistent frequency response customized for your mix environment
• Continuously variable HF and MF controls (-6 to +6 dB)
• Low-cut filter (flat, 80 Hz, 100 Hz)
• Acoustic Space settings (Flat, -2 dB, -4 dB) compensates for room placement

Power and safety

• 90W/140W Class AB biamplification for an open, clear sound
• RF interference, output-current limiting, over-temperature, and subsonic filter protection
• Amplifier “soft start” feature eliminates popping on power-up
• Internal power supply with IEC connector

Specifications

Inputs

• 1- Balanced XLR
• 1- Balanced ¼” TRS
• 1- Unbalanced RCA

Performance

• Frequency Response - 45 Hz – 22 kHz
• Crossover Frequency - 2.4 kHz
• LF Amplifier Power - 80W
• HF Amplifier Power - 65W
• Peak SPL (@ 1 meter) - 106 dB
• LF Driver - Dual 6.5”
• HF Driver - 1.25” silk dome
• Input Impedance - 10 kΩ

User Controls

• Volume Range - A-type taper
• MF Control - Variable (-6 to +6 dB)
• HF Control - Variable (-6 to +6 dB)
• Low Cut - Flat, 80 Hz, 100 Hz
• Acoustic Space - Flat, -2 dB, -4 dB

Protection

• RF interference
• Output-current limiting
• Over-temperature
• Turn-on/off transient
• Subsonic filter
• External mains fuse

Power

• 100-120V ⁓50/60 Hz
• 220-240V ⁓50/60 Hz

Cabinet

• Vinyl-laminated, medium-density fiberboard

Physical

• Width - 18.1” (460 mm)
• Depth - 8.5” (215 mm)
• Height - 9.8” (250 mm)
• Weight - 23.4 lbs (10.6 kg)